![]() ![]() ![]() I was a recent college graduate on my first job (in commercials) and a Scorsese-phile on the basis of the three films of his that I’d seen: “Mean Streets,” “Taxi Driver,” and, above all, “New York, New York,” none of which prepared me for the blend of austerity and fury, abstraction and physicality in “Raging Bull,” which I’ve considered, ever since, a high point of Scorsese’s work. The first movie première that I ever attended was the one for Martin Scorsese’s “Raging Bull,” at the Ziegfeld, in the fall of 1980, thanks to a friend with connections.
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